Süddeutsche Zeitung, 2 August 2005

The Japanese violinist, in spite of being only 33 years of age, already looks back on a career that spans more than two decades. On hearing her play for the first time, the listener is struck by her sheer technical bravura. Her performance is characterized by an unparalleled clarity of articulation, variety of timbres, tonal individuality, intelligent phrasing and natural technical perfection. Midori far surpasses the self-conscious glamour of other rising young talents.

Midori presents these works (Mozart Sonata KV 454, Ravel Sonata, Beethoven Sonata Op. 30/1) with a transparency, that leaves the listener awaiting the progression of each musical structure with bated breath.

Midori never rushes but concentrates on clarity and expressiveness. She never introduces a musical phrase with the inevitable emphasis on the first note. Instead she almost 'sings' the beginnings, carefully preparing each movement of the bow and never interrupting the constant stream of musical consciousness.

While other violinists strike the plucked notes quite evenly, Midori has found a specific technique for each pizzicato. She seems to be emulating Blues-techniques, with the music sparkling in a thousand
colours. The final perpetuum mobile turned into a nightmarish frenzy, driving the audience to the
edge of endurance.