MIDORI | PRESS CLIPPINGS
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PRESS CLIPPINGS

Chicago Classical Review, 17 July 2014

By LAWRENCE A JOHNSON [On Midori's performance of the Tchaikovsky Violin Concerto with the Chicago Symphony Orchestra and Susanna Mälkki at the Ravinia Festival] "Midori delivered a wholly satisfying performance, tackling this ineradicable warhorse with characteristic verve, fire, and tonal gleam. She brought a lithe, lyric elegance to the music while mining...

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The New York Times, 6 June 2014

By ANTHONY TOMMASINI Midori played [Peter Eötvös's DoReMi with the New York Philharmonic and Alan Gilbert] with plush tone, myriad colorings and command....

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Kalamazoo Gazette, February 2, 2014

By C.J.GIANIKARIS Midori and Kalamazoo Symphony Orchestra deliver perfect performance  During the opening movement [of Shostakovich's Violin Concerto No.1], Midori sustained extraordinary gentleness against a menacing orchestral backdrop. Using half-voice tones, she held ominous musical lines at bay. Her melodies emerged as silver threads woven within the larger orchestral sound. Her renowned...

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International Record Review, January 2014

By NIGEL SIMEONE Bloch, Janáček, Shostakovich (Onyx 4084)  Midori is among the finest violinists of her generation, but her discography is particularly interesting. As well as the familiar warhorses, Midori's recordings also include deeply impressive performances of sonatas by the likes of Poulenc, Strauss and Elgar and she continues her exploration of...

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Music Web International

By STEPHEN GREENBANK Bloch, Janáček, Shostakovich (Onyx 4084)  These are very fine performances by two players who not only have an affinity for this repertoire, but play with a shared purpose. They listen to each other and appear to be on the same wavelength, delivering performances which are compelling and captivating. The...

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Audiophile Audition, October 13, 2013

By GARY LEMCO Bloch, Janáček, Shostakovich (Onyx 4084)  Midori and Aydin bring a wonderfully colored focus to the Poeme (Bloch's Violin Sonata No.2 "Poème mystique") perhaps the most striking performance we have had since the famed Heifetz inscription from the 1950s....

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The Independent, September 2, 2013

By MICHAEL CHURCH Midori had said in advance that she was "overwhelmed by the depth" of this new work dedicated to her, and her manic sawing and digging into the strings suggested that its action-packed 20 minutes would be a physical endurance test as well. Its first movement began as a...

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The Herald (Scotland), August 26, 2013

By MICHAEL TUMELTY Japanese violinist Midori, in her comprehensive performances of Bach's unaccompanied Sonatas and Partitas for violin on Thursday and Saturday, included in each concert a short contemporary work for violin and electronics. Thursday's was a characteristically intense memorial to Shostakovich by Schnittke. Saturday's piece, by Mario Davidovsky, was the ninth...

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